Miles is front and center and quite a bit louder than the orchestra background and the frustratingly faint percussion. One issue with this album that I have never seen raised before is the high volume at which the trumpet is mixed. In another bad moment of commercialism, Columbia touts this album on its back cover notes as being a Bossa Nova album, but although it is very Brazilian, standard Bossa Nova it isn’t. The album’s mix of jazz and lounge sensibilities foreshadow the modern era of ambient nu jazz, and this album has a strong following amongst fans of 60s exotica. Most, but not all, of the tunes are complex and interesting, and Gil Evan’s orchestrations are as imaginative as ever, while Miles delivers one soliloquy after another in some of the better ballad playing of his life. It’s a shame that it turned out as it did because much of the music on “Quiet Nights” is excellent. Miles was quite angry with the move and broke relations with Macero and Columbia for some time. At a later date, in an anxious move to satisfy the suits at Colombia, Theo Macero dug up a ballad Miles had recorded with his previous combo, slapped that with the other tunes and released the album which now contained only 25 minutes of music. Later Miles and Gil recorded several more songs in a Brazilian style and then again the project sat for a while. The songs did not make the pop charts so the whole project was shelved for a while.
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Miles and Gil had a sincere interest in Brazilian music and put together a couple of art pop covers of Brazilian songs which Columbia jumped on in an attempt to ride the new Bossa Nova fad. “ Quiet Nights” could have been a much better album, but unfortunately the meddling greed of Columbia never let this project develop naturally. Miles Davis was born on May 26, 1926, to a relatively affluent read more.
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Johnson pianists Horace Silver, Red Garland, Wynton Kelly, Bill Evans, Herbie Hancock, Joe Zawinul, Chick Corea, and Keith Jarrett guitarists John McLaughlin, John Scofield and Mike Stern bassists Paul Chambers, Ron Carter, Dave Holland, Marcus Miller and Darryl Jones, and drummers Philly Joe Jones, Tony Williams, Billy Cobham, Jack DeJohnette, and Al Foster. Many well-known musicians rose to prominence as members of Davis' ensembles, including saxophonists Gerry Mulligan, John Coltrane, Cannonball Adderley, George Coleman, Wayne Shorter, Dave Liebman, Branford Marsalis and Kenny Garrett trombonist J. Widely considered one of the most influential musicians of the 20th century, Miles Davis was, with his musical groups, at the forefront of several major developments in jazz music, including bebop, cool jazz, hard bop, modal jazz, and jazz fusion. Miles Dewey Davis III was an American trumpeter, bandleader and composer.